Music : Rockferry
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Binding: Audio CD
EAN: 0602517629769
Label: Mercury
Manufacturer: Mercury
Number Of Discs: 1
Publisher: Mercury
Release Date: May 13, 2008
Sales Rank: 23
Studio: Mercury
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Editorial Review:
Amazon.com:
The most hotly anticipated album release of this New Year comes not from someone rammed into the collective consciousness by their media ubiquity. Duffy is an unknown quantity at this point, having performed but a small number of gigs, mostly in support of The Magic Numbers, and having only just begun to be seen on TV, most notably with recent appearances on Jools Holland's Later and New Year Hootenanny.
Yet her soulful voice has already beguiled many of the nation's musical tastemakers and news of its beauty and of the strength of her songs is spreading by word of mouth even as you read these words. Radio One's Jo Whiley chose Duffy's title track and album taster `Rockferry' as her Single of the Week in late November, further adding to the momentum. Now, as the comparisons fly (Dusty Springfield has emerged as the favourite), it's time to discover her for yourself.
Duffy was born and spent her childhood years in the north Wales coastal community of Nefyn, a place too remote to be driven by style wars or opposing music factions (the nearest record counter was a bus ride away and only stocked the Top 40). The upbringing she describes is one in which everyone had to rub along together, making do and mending, accepting each other and their tastes without prejudice.
Having no CD collection of her own, her first real musical memory is of walking into the kitchen unannounced to find her mother and stepfather dancing to Rod Stewart. The first steps she took towards defining her own personal identity came when she borrowed one of her dad's VHS tapes of the `60s TV show `Ready, Steady, Go!'. "It had The Beatles, the Stones, the Walker Brothers, Sandie Shaw and Millie singing `My Boy Lollipop'. So sexy and exciting! I played it again and again until finally it disintegrated." Says former Suede guitarist and record producer Bernard Butler of this artlessness, "Duffy managed to grow up without any concept of what was cool or current, what she should or shouldn't like, how to behave or even how to sing. For her, coming to London at all was the stuff of fairytales."
"And to come here to write songs with some random bloke who'd been recommended to her, me? It meant taking two buses and then two trains and took all day. Then she'd do the same in reverse to get home, playing the music she'd just made to old ladies she encountered on the journey. It's hard for cynical music industry types to get their heads around just how far removed she was from our world, geographically and in every other way. But what you've got as a result is someone who acts and sings completely and unselfconsciously from the heart. That's a rare and magical thing."
Butler was introduced to Duffy by Rough Trade's Jeannette Lee who,in August 2004 and after hearing demos recorded in this or that mate's home, became the singer's mentor and manager. For Duffy, to have not just a friend but also point of both safety and reference in the strange new world she found herself in was crucial to her own musical development and sense of self.
"People keep saying to me, `You've made a great record' but I can't take that in because I didn't do it on my own. Jeannette and I made `Rockferry' together and she's been with me every step of the way, broadening my horizons, introducing me to people I can trust." Butler was just one of them: having written the glorious, chorus-free, utterly hypnotic `Rockferry' together at the beginning of the project, they then worked on a further three of the ten tracks on what is already being talked about as 2008's most important debut release. Jimmy Hogarth & Steve Booker are the other collaborators on this classic-in-waiting.
What can you expect to hear? The title track and album opener, as atmospheric, slow-building and idiosyncratic song as you could hope for, leads into a collection of original material that some might call retro in feel (those Dusty flavours, that girl group vibe) but which Duffy herself prefers to identify as classic. You'll find arrangements as sparsely effective as those against which Dionne Warwick told her Bacharach & David-wrought tales of heartbreak in the early 1960s. You'll find lush choruses and swooning hooks (as perfected by the late Miss Springfield and various distinguished others). But this is far from pastiche.
What you'll find instead is irrefutable evidence of a significant new talent, and one that has developed in splendid isolation, not in reaction to market forces or the input of focus groups and industry experts. Duffy is the real, unspoiled original deal. "People keep asking me where my voice comes from and the fact is I don't know," says the brightest new star of 2008. "Why are your eyes the colour they are? It's no answer at all but it's the only one I have."
Duffy Photos
Amazon.co.uk:
Rockferry, the Welsh singer's lovingly constructed debut album, has already succeeded beyond expectations, and although Duffy may not quite be the ingénue portrayed by a clever press campaign (she nearly won a local television talent show a few years back while a single credited to Aimee Duffy is still available on iTunes) she is surely the most appealing of the current flood of young soul sirens. The astonishing title track, co-written by Bernard Butler, sounded like a lost transmission that had taken decades to get through as soon as it hit radio last year. But the gently rolling soul ballad "Stepping Stone", that strapping, inescapable monster hit "Mercy", the ice cool "Serious" (the one time she really does channel the spirit of Dusty Springfield) and the wistful, elegant "Warwick Avenue" are similarly effective. Suggestions by some that Rockferry is little more than sixties pastiche are churlish. Butler's previous work with David McAlmont (featured here as a backing singer) showed his skill at writing and arranging the dramatic, while her other collaborators such as Steve Booker and the team of Jimmy Hogarth and Eg White are hardly lightweights. But despite some wonderful orchestral settings, it's Duffy's terrific voice that makes this so satisfying, even overpowering Butler's exquisitely underplayed guitar work on "Rockferry" itself. Growling the blues on "Syrup & Honey" or belting it out over his lovingly arranged wall of sound on "Distant Dreamer", she sets the tone throughout, several of her songs dealing with escape, both physical and romantic. The sound of someone singing herself to stardom, Rockferry is at times genuinely amazing. --Steve Jelbert People en Español
La música soul ha invadido Inglaterra en los últimos años, el país que nos ha entregado a algunas de las cantantes más interesantes del género como Amy Winehouse o Joss Stone. Hoy llega Duffy con Rockferry, un disco fantástico en el que la inglesa demuestra que una buena voz y personalidad son más que suficientes en el mundo de la música, sin necesidad de causar escándalos o contonear las caderas esta chica ha ido conquistando poco a poco los mercados de todo el mundo. En este álbum encontrará canciones como "Mercy" con un claro sonido sesentero, pero que se coló sin problemas en las listas de hits de la música pop. Además está "Warwick Avenue," una balada sencilla pero que le hará estremecer, también hay que destacar canciones como "Stepping Stone" o "Hanging On Too Long." La voz de Duffy es una de las más interesantes del mundo de la música, y aunque se le clasifica dentro del pop, no por esto su música es superflua o sólo para niñas de 15 años. Si le gusta la buena música déle una oportunidad a este disco. --Ernesto Sánchez (People en Español  )
Average Rating: 
Rating:  -
Rockferry by Duffy is a cool and unique album from this sassy singer/songwriter. Duffy has a very strong and soulful voice, a lot of people have compared her to Dusty Springfield. The melodies and lyrics are pretty and simple, songs like Warwick Avenue, Mercy, Hanging On Too Long, I'm Scared, and Stepping Stone are some of the standouts. The opener, Rockferry is probably the strongest of the bunch. The closer, Distant Dreamer is optimistic and lush with a variety of instruments that fit perfectly with Duffy's vocals. I wasn't expecting much from this album, I was pleasantly surprised with how much talent this gal actually has. Buy it today!
Rating: -
I am hypnotized by this Duffy. Not in a hypnotize by biggie kind of way, but in a 60's downtown gretna way. This CD is pure as snow before people drive on it and make it dirty or relieve themselves on it. I was introduced to Duffy, like most others, when I heard the song Mercy. I go to the gym four days a week (six when I have a date) and Mercy is a great song to go 14 miles on the treadmill to. I just put it on repeat and go. My favorite track though is not Mercy, which probably surprises you after what I just said about it. I like Rockferry. That track takes me back to Gretna in the 60s when double decker buses drove people around and dropped them off at the bowling for a night of shenanigans and tomfoolery.
I'm a really good bowler. Our team took 4 games out of a possible 4 last night. That's 100%!!!! We did the same thing last week. Can I pick up a 7-10 split? Are kids with syrup on their faces annoying? We had a bowling duel for the ages that Duffy might as well be the soundtrack four. Burns, Kroll, J-abs and I were bowling in the Eastern Nebraska Kind of Professional Bowling league for Gretna. We called ourselves Asschowder (big surprise). We bowled Ashland and let me tell you that Burns just didn't like Ashland. He called it trashland (that's ice cold). We all bowled over 250 and beat them by 435 pins. We let them bowl three balls at a time in the last game just to try and keep it close. Don't let your kids see that ever again! Let's just say average bowled ... Read More
Rating: -
Duffy does have a great voice, and the production is like the best of Dusty Springfield's albums. But I wish she'd had a little more help with the songwriting. Some of the ideas are great, but just don't satisfy lyrically. And she does make up for a lot with her gutsy approach, and supercool vibe.
Rating: -
This album was basically a unique voice, experiencing so much pain, but doing it in a lovely manner.
The title song was not ideal for a starting song. It was a little annoying and bland. Warwick Avenue is a strong song, despite it's somewhat depressing tone. It's like a song you'd find at a pivotal moment in a musical. The message is gorgeously portrayed. Serious is kind of like a dreamlike or trancelike song. It's kind of light at first. It probably would have been a better first song than Rockferry.
Stepping Stone kind of echoes the sounds of the great Carole King. Very good message to girls, and it's a good girl power song without being bubblegum. Syrup and Honey starts off kind of with a sing-song sound. It was cute, but it still continues the blues sound. Not as strong of a character built by Stepping Stone. It sounds cute, but the message is lacking. Hanging On Too Long is another song about a girl who is clingy. A little bit stronger than the previous track, and focuses on the strength and range of her voice.
Mercy is upbeat. It is clear why this was chosen as the first single, but does not represent the album at all. It's fun and clearly written and performed. It is an interesting blend of pop and blues, and sounds like it could have come from the 50's, 60's, and today because of the mixture of sounds. Delayed Devotion is another song that seems to have a hint of Carole King in it. It's kind of like stepping into ... Read More
Rating:  -
I'm so disapointed in the fact that I paid for this CD and she received a portion of what i spent on it. I love all types of music but this was just plan bad. She has a LOVELY voice but what was on the producers mind when this album was put together?!?!? It's not her voice, it not her lyrics, it just seems like this was album was thrown together. I wouldn't be surprised if the entire thing was put together in 1 day. It's horrible.
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