Music : River: The Joni Letters (with Bonus Tracks) - Amazon.com Exclusive
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Binding: Audio CD
EAN: 0602517477544
Format: Special Edition
Label: Verve
Manufacturer: Verve
Number Of Discs: 1
Publisher: Verve
Release Date: September 25, 2007
Sales Rank: 565
Studio: Verve
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Editorial Review:
Album Description:
This Amazon.com exclusive version of River: The Joni Letters includes two bonus tracks, "All I Want" featuring Sonya Kitchell and "A Case of You."
The legendary pianist and innovator Herbie Hancock explores the words and music of another musical pioneer, Joni Mitchell, on his first new studio recording for Verve since 1998's GRAMMY® award-winning Gershwin's World.
Inspired in equal parts by Mitchell's poetic lyrics and unique melodies, Hancock and saxophone giant Wayne Shorter play with a restraint and elegance that achieves a perfect balance between the adventurous aesthetics of jazz improvisation and the emotional directness of the finest Adult Pop music.
Hancock builds upon his (and Shorter's) previous collaborations with Ms. Mitchell to create a sound that will appeal not only to fans of both artists, but to the listener familiar with the work of Norah Jones, Corinne Bailey Rae and the other brilliant guest vocalists featured on this session. River: The Joni Letters is the perfect CD for the music fan looking for something new that's based in the familiar.
Amazon.com:
On paper, River sounds like a match made in several versions of heaven. Legendary pianist Herbie Hancock re-imagines Joni Mitchell with his hand-picked, star-studded band--including saxophonist Wayne Shorter--in tow. Luminary guests lend vocals to a song apiece: Norah Jones ("Court and Spark"), Tina Turner ("Edith and the Kingpin"), Corinne Bailey Rae ("River"), Luciana Souza ("Amelia"), Leonard Cohen (with an unsettlingly sanguine version of "The Jungle Line"), even Mitchell herself ("Tea Leaf Prophecy"). In the event, though, a few fundamental elements go awry. Hancock plays with almost saccharine understatement throughout, and even Shorter's seminal "Nefertiti" and Duke Ellington's "Solitude" fall into the album's presiding, somnolent surface, though to a lesser degree does the instrumental version of Mitchell's "Sweet Bird." But girding, and in some measure, saving, the proceedings, the lyrics here testify to a subtler wisdom guiding Hancock's set list. The mix includes a continuum from intrepid classics to dusty, fans-only fare, but a distinct reverence for Joni Mitchell the Poet threads them together, and, in the end, this album works best as a sleepy window into one fan's giddy and particular love affair with his source material. Fans of Hancock win out. --Jason Kirk
Average Rating: 
Rating: -
Herbie Hancock takes classic Joni Mitchell tunes and makes them his own. Who knew that it would work so well? My favorite track is Court and Spark featuring Norah Jones on vocals. This is spell-binding. I heard this track on a plane, and immediately ordered the album. The rest of it is not quite as breath-taking, but well worth it, especially if you like jazz, and grew up on Joni Mitchell.
Rating: -
Herbie Hancock is one jazz pianist/composer who needs no introduction for when it comes to jazz music, his name always pops up and never goes unnoticed. He has recorded quite a number of jazz albums as a leader most notably his wonderful tribute to the timeless standards of George and Ira Gershwin entitled Gershwin's World. And not to mention his projects as a sideman to many jazz greats such as Miles Davis, Quincy Jones, Bobby Hutcherson, Hank Mobley, Wayne Shorter and Grant Green, to name but a few. For the record, he is one of the most honored jazz artists of all-time in terms of Grammy Awards, Academy Awards and other prestigious music awards.
"River: The Joni Letters" was recorded in 2007 under a prestigious jazz recording company, Verve Records. It is the winner for 2008 Grammy Awards for the most coveted "Album of the Year." So for fans of Herbie Hancock, this tribute recording to Joni Mitchell is a must-listen if they want to discover why it is an award-winning-album.
Here he is supported by some of the finest musicians in the jazz world namely: Wayne Shorter (soprano and tenor saxophone), Dave Holland (bass), Vinnie Colaiuta (drums) and Lionel Loueke (guitar). For a variety of vocal stylists, he has invited Joni Mitchell on "Tea Leaf Prophecy," Tina Turner on "Edith and the Kingpin," Norah Jones on "Court and Spark," Corinne Bailey Rae on "River," Luciana Souza on "Amelia" and Leonard Cohen on "The Jungle Line." To better experience and appreciate ... Read More
Rating:  -
Hail hail hail to the victors valiant hail hail Michigan
There once was an time which many of you do not remember long ago before "8 tracks or Casingles" when Analog was king and vacuum tubes would amplify phonographic audio. Thought i would try some new music from Herbie Hancock on my wooden furniture. It still does its thing ! the groove really is groovy with great quality. Only problem is that no one on this side of the pond is printing vynil (I hade to get this from europe).
Rating:  -
I think the title of my review says it all. Herbie Hancock is a brilliant pianist, but his output since the 70s has been terrible. It's like he isn't capable of playing beautiful music anymore and he can't swing anymore. This recording is just pure, unadulterated garbage. Why Herbie continues to record with vocalists is beyond me.
Everything about this album bothers me. It's like a bad orange, each layer you peel back the worst it becomes. Herbie should just do everyone a favor and go back to playing bebop, because that's what he was best at doing. He has proven time and time again that he can't do albums like these.
Anyone interested in hearing Herbie play music check out "Takin Off," "Empryean Isles," "Maiden Voyage," or "Speak Like A Child."
Jazz fans stay away from this one, it stinks!
Rating:  -
After being pleasantly surprised by Hancock's collaborations on "Possibilities," I was very disappointed is this effort, especially since I bought it after the Grammy's were announced. High expectations dissipated soon after the first track, as the album plods along and halts to a screatch with some rendetions, which are unrecognizable compared to Mitchell's originals. There are virtually no upbeat moments on this CD save for the title track, and the the dense arrangements require the listener to struggle to hear the sweet spot. Save your money on the CD and download one or two tracks instead. I'm headed for the nearest CD exchange store.
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