Music : At Newport
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Binding: Audio CD
EAN: 0008811251529
Format: Extra tracks, Original recording remastered, Live
Label: Chess
Manufacturer: Chess
Number Of Discs: 1
Publisher: Chess
Release Date: February 27, 2001
Sales Rank: 20427
Studio: Chess
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This album is so good it should be mandatory listening before any young punk even thinks about playing guitar.
Great songs, great recording, even greater artist.
Buy it, play it and share it with folks who think rock and roll started with Elvis...
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Recorded and released in 1960, Live At Newport is one of the most beloved albums in the Muddy Waters catalogue, and is considered by many to be one of the greatest blues records of all time. To be honest, I'm not really sure why. Don't get me wrong: It is by no means a bad album. In fact, some of the performances found here rank among Muddy's very best: The legendary, show stopping rendition of "I've Got My Mojo Working" is a total barn-burner, with its fiery vocals, grinding pianos, and surging rhythms. "Tiger In Your Tank" raves with a similarly infectious abandon, and "Baby Please Don't Go" is tight and muscular.
Sadly, too much of this album is devoted to unspectacular, standard-issue blues. "I've Got My Brand On You" is an uninspired combination of generic songwriting and soulless instrumentation, while "I Feel So Good" doesn't deliver an ounce of the enthusiasm that its title promises. "Soon Forgotten" and "Goodbye Newport Blues" are slow burners that simply don't burn- the music is free of the tension that marks the best slow blues numbers. Perhaps the biggest dissapointment is "Hoochie Coochie Man." In its studio incarnation, "Hoochie Coochie Man" is simply one of the greatest blues songs of all time. On this record, however, it's bland and unentertaining, devoid of the raw sexuality and smouldering passion that made the original such a classic.
So, there you go. An incredibly dissapointing album from a great performer.
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Newport 1960, the mecca of a yearly festival of live Jazz that crossed over the greats of the day, and I do mean Greats,into a larger audience where the money and acclaim justifiably started to flow was not lost on this wonderful blues-man who with the likes of jazz men like Cannonball Adderley, Chet Baker and others did a lot of good for inspiring groups like the Stones and others whose homage to Muddy is clear.
Creating rock and roll from pure live excitement from albums like this and another legend's stellar album, BB King's Live At The Regal LP are benchmarks for much that followed.
As to this wonderful CD, great sound, nice notes, mono studio bonus tracks found on the live portion makes this a worthwhile companion with historical importance while not forgetting the contributions made by Middy's band of pianist Otis Spann,the harmonica of James Cotton, an artist in his own right,and a special treat, the inclusion of the poet Langston Hughes within the proceedings.
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This is Muddy Waters rocking out! He is in fine voice, a force of nature, with a hard driving band. Forget the labels, this is joyous rock n' roll.
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According to the liner notes from this one, Muddy had a tough time with Blues festivals. First he was too electric and loud. The next year he was too acoustic and quiet. From the sound of this one, he finally got it just right.
This is not a barn-burner. Oh, it has plenty of energy, but if you're looking for the jolt found on his Blue Sky-era recordings, you're going to be a bit disappointed. This is smoother blues. Not mellow, but not as rowdy. Remember, the younger Muddy Waters was trying to find wide-acceptance of his misic. (It is a shame he didn't find that until the last few years of his life)
The song selection is fantastic. "Tiger in your tank" is fun. "Got my mojo working" is a foot-stopmper. But, my favorite is "Goodbye Newport Blues", which was allegedly penned on the stairs to the stage and ad-libbed by the band. But, what a band to have ad-lib!
This one is must for those who want to move beyond blues/rock.
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