Books : Frankenstein (Norton Critical Editions)
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Binding: Paperback
Dewey Decimal Number: 823.7
EAN: 9780393964585
ISBN: 0393964582
Label: W. W. Norton
Manufacturer: W. W. Norton
Number Of Items: 1
Number Of Pages: 352
Publication Date: December 19, 1995
Publisher: W. W. Norton
Sales Rank: 33012
Studio: W. W. Norton
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Product Description:
This "Norton Critical Edition" of "Frankenstein" contains the 1818 first edition text. Only the obvious typographical errors have been corrected. The book also includes writings by Mary Shelley, Percy Bysshe Shelley, Lord Byron and John William Polidori, enabling the reader to place the novel in its historical context. Six 19th-century responses to the novel illustrate contemporary reactions, whilst 12 modern critical essays cover the different aspects (psychoanalytic, mythic, feminist) of the work.
Average Rating: 
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It is a classic and, therefore, deserves a close reading. Norton editions are great. The text size is good, the print tends to be first-rate, and the critical essays usually include classic essays and major critics. This doesn't strike me as being worthy of the "A" list of literature, but that is a prejudice. I can't really accept any genre lit on the list, including detective, gothic, or science fiction. It is an interesting sample of this period, but I didn't get a lot out the the book itself. For one thing, the atmosphere of doom and gloom doesn't work for me. Everyone is sick and morbidly depressed and sad. This is not explained and I don't think one can easily guess. The writing works, sure, but I don't find the prose style uplifting or thrilling, as writing. The story is very familiar. As a child of the 60s, I remember well watching reruns of the classic film on TV. It is hard to divorce the brilliant film from the wordy novel. The film has some brilliant set-pieces. The novel has a lot in it and it certainly can and should be read at multiple levels, but in the end it is Victorian intellectual thought of the low order. There are other, better thinkers and novelists of far greater talent.
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This is a classic and that is the reason that I read it. I liked the movie but the book is a whole other experience. I liked the format; I like the style; I liked the prose; I liked the intellectuality. I really didn't analyze it. I just read it for the fun of it. It was good. It was fun.
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Frankenstein is a great work, though one that has consistently been underrated
and misrepresented. Frankenstein is, in the words of Donald H. Reiman, "the
most seminal literary work of the Romantic period". It is a work of profound
and radical ideas, written in poetically powerful prose. Frankenstein is not
really a gothic novel, although its author sometimes employs gothic
conventions and language, and even spoofs them. Rather, Frankenstein is an
enduring myth, a novel of ideas, and above all, a moral allegory about the
evil effects of intolerance and prejudice, ostracism and alienation, both to
the victims of intolerance and to society at large.
Since there are some good reviews here, I'll concentrate on this
particular edition -- the Norton Critical Edition, edited by J. Paul Hunter.
This is one of the two best editions of Frankenstein available (the other
being the Chicago edition edited by James Rieger). Most importantly, this is
the original 1818 edition, rather than the inferior, bowdlerized 1831
edition -- which is the most common, and the only one that was available for
well over a century. Hunter's introduction is not bad. Some of the reviews
and essays in the back are good, and some are not, but this is par for the
course. The main text is intelligently annotated.
Please check out my own book, The Man Who Wrote Frankenstein, which
makes ... Read More
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Mary Shelley was the daughter of the famous feminist and author, Mary Wollstonecraft, who is best known for her work The Vindication of the Rights of Women. In Mary Shelley's Frankenstein, a young university student, Victor Frankenstein, obsesses with wanting to know the secret to life. He studies chemistry and natural philosophy with the goal of being able to create a human out of spare body parts. After months of constant work in his laboratory, Frankenstein attains his goal and brings his creation to life. Frankenstein is immediately overwrought by fear and remorse at the sight of his creation, a "monster." The next morning, he decides to destroy his creation but finds that the monster has escaped. The monster, unlike other humans, has no social preparation or education; thus, it is unequipped to take care of itself either physically or emotionally. The monster lives in the forest like an animal without knowledge of "self" or understanding of its surroundings. The monster happens upon a hut inhabited by a poor family and is able to find shelter in a shed adjacent to the hut. For several months, the monster starts to gain knowledge of human life by observing the daily life of the hut's inhabitants through a crack in the wall. The monster's education of language and letters begins when he listens to one of them learning the French language. During this period, the monster also learns of human society and comes to the realization that he is grotesque and alone in the world. ... Read More
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The chronological table in the back of the book helped me situate Mary Shelley within the time of the writing of Frankenstein. Percy B. Shelley's critique of the book, published after he died, was interesting. I liked the Criticisms in the back of the book. Most of all, I loved the Being Frankenstein created. This is the saddest, most thought provoking, book I've read in recent times (even though it's old).
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