Books : Musicophilia: Tales of Music and the Brain
Binding: Hardcover
EAN: 9780330418379
Format: Import
ISBN: 0330418378
Label: Picador
Manufacturer: Picador
Number Of Pages: 400
Publication Date: November 02, 2007
Publisher: Picador
Sales Rank: 1346278
Studio: Picador
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Average Rating: 
Rating:  -
I've been a huge fan of Oliver's ever since TMWMHWFAH, I even went back and read all his previous books and I've loved (almost) everything since then. Not only do I enjoy the weird little neurological symptoms he describes but I love his folksy, self-deprecating voice.
"Musicophilia" however I found to be tough sledding -- I read at least 3 other books while trying to finish this one. The reason is not the material -- the relationship of musicality to mentation is fascinating, and he does an admirable job of covering the subject here. The problem lies in his voice -- this book is written from a somewhat scholarly third-person perspective (most of it) and it's made worse by this paperback "revised and expanded edition" which adds about 30% more to it in the form of endless repetition, tedious footnotes, and totally extraneous postscripts. Rather than using a few entertaining case histories to illustrate the subjects under discussion, Sacks lists dozens and dozens of nearly identical case histories with way too much detail and way not enough commentary.
The 425 page book could have made an entertaining 180 page book without losing any of the essential narrative. You really learn the value of a good editor when you don't have one.
Rating:  -
Dr. Sacks has written a book that is astounding in its depth and love for humanity, his patients, the mysteries of life and music the great connector of us all. Music, how we each perceive it and it effects us. The stories in this book amaze and awaken us to the marvels of the brain, our wiring, science and possibility.
Rating: -
I should have read the title of the book more carefully, since this book is exactly what it claims to be: a compilation of tales (on average more than 10 per chapter), most of the times lacking the neuroscientific explanations that I was looking for.
I will summarize one anecdote to exemplify what I mean: "Florence Foster Jenkins, a corolatura that attracted a sell-out audience to Carnegie Hall (...) would sing notes that were excruciatingly wrong, flat, even screechy (...) without realizing that she was doing so. (...) Whether her fans were devoted to her in spite of her lack of musicality or because of it is not clear." That's it, no further explanations. This anecdote was in a footnote, where normally I expect to find a deeper explanation left out of the text for the ease of the less scientifically interested. I think I could have come up with such a "tale" myself, without having any knowledge of either music nor neuroscience. Other tales within the text are similarly lacking deeper explanations, as the case of a man who the author met for 5 minutes (that's it, he did not mention any further study by himself or somebody else). The deepest explanations you get throughout the book are following: a) during the appearance of certain conditions, neuroscientists have used MRI techniques ("magnetic resonance imaging") to detect an activation of "x" or "y" area in the brain, which indicates that this area is involved in the specific process or b) after autopsias have been ... Read More
Rating: -
This book further detailed the fascination with music's neurological connection. Why do some people have a natural talent and others don't? Absolute pitch, musical savants, 'seeing' music, memory training, and gained/lost musical abilities from accidents/health issues/etc are a few of the many topics Sacks addresses. The majority of the book are case reviews from the author's various patients & studies. There are definitely some cases that feel repetitive (Okay great...another story about another guy struck by lighting with the same reaction as the previous 2 described). For someone who is interested in music's effect on the mind (and someone who is a bit nerdy), this book is perfect for casually picking up in the evenings and reading at leisure.
Rating: -
Sacks does it again, merging clinical precision with insight and real affection for his patients. This time, he explores the biological foundations of music as a human experience. It turns out that music runs deep in the human brain and mind, as it does in possibly no other species. In his medical practice, Sacks has seen how music can heal, as in some Parkison's and psychiatric patients, or even harm, in rare cases where its rhythms can trigger seizures. It can reach in to patients blocked from normal communication, and it can help people reach out through stuttering or stroke-damaged failures of language. In some Tourette's patients, it can both drive creativity, and be used to channel the illness's effects away from harmful kinds of expression. It casts new light on Plato's draconian control over music in his idealized Republic - it really does have deep effect on the citizens' minds.
Since musical expression seems so deeply ingrained in the human nervous system, it seems surprising that people differ so much in how the experience it. Oddly, enjoyment and basic neurological faculties for music don't always go together. I'm one who "lack[s] some of the perceptual or cognitive abilities to appreciate music but nonetheless enjoy it hugely." I'm about as unmusical as anyone around, but usually have something playing - at least in my imagination. Others, even with fine senses of pitch or the formal nuances of music, might be quite indifferent. I found it helpful to see ... Read More
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